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between stillness and motion

Between Stillness and Motion

An ongoing series of paintings rooted in memory, colour, and the quiet moments that carry more weight than we notice at the time.
Jasmyn Cheng Art
Two purple, oval shapes stacked vertically within a thin, gold frame against a light background.

where it all began

Jasmyn Cheng Art
Jasmyn Cheng Art

This series began as a trip down memory lane. The vision came to life while cycling from my office to home, a short fifteen minute commute, on a warm day in June. 

As always, the route runs along a bright green corridor of varying trees, bramble bushes, and perennials, light finding its way through the tree tops and creating a symphony of light and shadow. The feeling I get while

cycling here is one of wonder and joy. I found myself asking, how can I bring this feeling of joy into my art, but also, what are the other moments that give me an intense sense of satisfaction, gratitude, and joy. The question stayed with me quietly for a while, and it was only after the tenth painting that I noticed what I had actually been painting all along, moments and memories of summer that carry that same feeling of joy. 

The title, Between Stillness and Motion, speaks to the feeling I want to hold within the work. It invites a pause, a moment of stillness, while the motion lives in the paint itself, swirling like a memory across the canvas. It is there. You can feel it. It draws you in. 

Though rooted in my own experience, these paintings reach for something universal, the small, recognisable moments that can light up a day in an instant. A delicious meal, a favourite street on a bike ride, a view that makes your heart lift. The series continues to grow with each season it moves through, carrying that same instinct forward.

An artist's workspace featuring a watercolor painting with blue and green swatches, paintbrushes, and ink.
Abstract art piece featuring layered shapes in shades of pink and red against a light background.
A framed artwork with two large teal oval shapes hangs on a light wall above a white surface.

Each painting is made with heavily diluted acrylic and ink on raw, or only lightly primed, cotton canvas. Left unprotected, the canvas absorbs pigment much like paper takes watercolour, slowly, unevenly, with a life of its own. I rarely know exactly how a wash will settle until the following day, once it's dry. That uncertainty is part of the process I return to again and again. 

An artist's workspace featuring a watercolor painting with blue and green swatches, paintbrushes, and ink.
An artist's workspace featuring a watercolor painting with blue and green swatches, paintbrushes, and ink.
An artist's workspace featuring a watercolor painting with blue and green swatches, paintbrushes, and ink.